Liliana Porter

 

Making art in these disconcerting times gives us a sort of immunity, not against the virus, but against the fear, the isolation, the madness, the chaos. In fact,  to make art is a privilege that we have, the opportunity to communicate with others. Art is always an experiment that entails challenges. 

Teatro de primera mano para tiempos nuevos - First-hand Theatre for New Times from Liliana Porter on Vimeo.

Teatro de primera mano para tiempos nuevos - First-hand Theatre for New Times, a collaboration between  Liliana Porter and Ana Tiscornia

 
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Yellow Duck II, 2011-12, Digital Duraflex with assemblage and acrylic mounted on plexi, Unique, 20 1/8 x 30 ¼“

Yellow Duck II, 2011-12, Digital Duraflex with assemblage and acrylic mounted on plexi, Unique, 20 1/8 x 30 ¼“

Dialogue (with Penguin), 1999, Cibachrome 35” X 27”

Dialogue (with Penguin), 1999, Cibachrome 35” X 27”

 
To Think About It, 2020, Broken table clock and figurine, 4 x 5 ½ x 3 ½”

To Think About It, 2020, Broken table clock and figurine, 4 x 5 ½ x 3 ½”

Forty Years IIIB (hand, over horizontal Line 1973), 2013, chromogenic print, 24 ¼ x 22 ¾ 

Forty Years IIIB (hand, over horizontal Line 1973), 2013, chromogenic print, 24 ¼ x 22 ¾ 

 
“Charlie”, 1995. Silver Gelatin Print.  19” X 22”

“Charlie”, 1995. Silver Gelatin Print.  19” X 22”

Liliana Porter